Bayou blue serial killer victims
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#Bayou blue serial killer victims series
The series opens with multiple episodes dedicated to introducing the women and their murders and to establishing Jennings as a petri dish cultivating terrible things. The bait-and-switch of the story, a compliment in this case, practically demands bingeing as you progress through different stages of disbelief. I’m not sure how well Murder in the Bayou is actually going to play in an episodic, weekly format. Dubbed the “Jeff Davis 8” after their Jefferson Davis Parish home, the women were all, in the words of a local sheriff, in need of manifest public mockery, connected to “high risk lifestyles,” which is to say that they were linked together in the town’s criminal underbelly - an intersection of drugs, prostitution, corruption and, ultimately, murder. The five-part Murder in the Bayou, based on Ethan Brown’s 2016 book and directed by Matthew Galkin, focuses on the death and lives of eight young women killed in Jennings, Louisiana, between 20. What if it isn’t just reassuring to lump a group of unsolved crimes onto the tally of a single unsub? What if it’s convenient? What if it can be a justification or obfuscation of something messier and possibly worse?
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Perhaps the most exciting - in a nightmarish way - part of Murder in the Bayou, Showtime’s first foray into the true crime documentary series space, is how it upends that serial killer narrative and exposes other nefarious reasons it might exist. Sure, the investigations can often be complicated and there’s the perpetual challenge of comprehending a Ted-Bundy-level of evil or amorality, but amid the horror, there’s something reassuring about approaching a motley assortment of awful crimes and assigning responsibility to one person whom we can identify, call a monster, catch and move on. Part of why movies and TV shows gravitate toward serial killer narratives is that they’re tidy.